Writing a Winning Ghost Story

In just over a week's time it will be Halloween. To be honest, I've never been a huge fan of this celebration and even when my children were young, we were never ones for Halloween parties or trick-or-treating.

What I do like, though, is writing and reading ghost stories and this week I've been getting in the mood for all things ghostly, having just judged the Rosemary Robb Ghost Story Competition for the Nottingham Writers Club. I was asked to be adjudicator after the organiser had read one of my blog posts in which I explained how I'd crafted the ghost story that had just been published in Take a Break Fiction feast.

If you'd like to read the post, it's called, Ghost stories don't need to be scary.

There's been some talk on Facebook recently about the importance of selecting the right judge for a particular competition. I agree that matching a judge to the genre is crucial. If I was asked to read a selection of play-scripts or crime novels, I might know which one I liked best but I would find it hard to explain why I thought the entry worthy of being the winner. Why? Because I wouldn't know the craft of that particular type of writing. Equally, I would be in no position to explain why the entries that had not won, had fallen short of their mark. 

On the other hand, short stories in general, romances and magazine stories are things I know about and have had success with. This is why I have been happy to adjudicate stories in these areas - thank you to the Chiltern Writers' Group and the SWWJ for asking me. If you haven't already read my post on being invited to hand out the prizes at the the SWWJ Christmas tea alongside Sir Tim Rice, you can read it here.

So why did I say yes to judging the ghost story competition? It was because, as I said earlier, I love reading a good ghost story but more importantly because I have had success writing them myself otherwise I wouldn't have agreed. I've written eight to date - one that was long-listed for the BBC Opening Lines Competition and the others published in magazines (I even had the honour of writing The People's Friend Magazine's first ghost story).

And that's what I want to talk about today... writing a winning ghost story.

Of course, as with any competition or magazine submission, the judging is subjective to a great extent. Every adjudicator or editor will have a different idea of what they like in a ghost story. Some may like them to be chilling, others might prefer them to to be heartwarming, romantic or humorous. Whatever the judges preference, they will be looking for a well-crafted story that pleases.

Ghost stories fall into three categories:

• One where the narrator of the story is the ghost. 
• One where the narrator of the story is being haunted. 
• One where there is no ghost at all (there is a rational explanation for any ghostly happenings). 

For my own part, apart from the competition listing, all my stories have had a ghost that's been a subtle presence rather than an 'in your face' apparition. More often than not, the ghostly character hasn't been revealed to the reader (or the main character) until the end of the story. See my ghost story breakdown here. That is how I like my ghost stories but that doesn't mean I don't enjoy one that is crafted a different way.

Whatever type of ghost story you decide to write, there is one rule that needs to be followed to make it work. THERE MUST BE A REASON WHY THE GHOST IS HAUNTING. Sorry to shout that but it's really important.

• The ghost might have had a problem in his/her past life that needs to be resolved (which can usually only be done through the main character).

or

• The person being haunted has a problem which the ghost can help with. 

Whichever you decide on, the reader must believe the problem is important enough for the ghost to be there otherwise the story will seem unbelievable and the judge won't want to turn to the next page.

The next thing to think about is the setting. What first comes to mind might be churchyards... old houses... a dark wood at night. Of course, these can lend atmosphere to a ghost story but your setting doesn't have to be dark and Gothic; an ordinary setting can work just as well. Why? Because the reader is more likely to be taken in by it. Settings of my own ghost stories have included: a sailing boat, an underground station, a school, a beach and a street like the one you might live in. Think of an ordinary setting and see how you could make it work.

What about the ghost itself? They can be sinister or benign. Both work. I've even read a story where the ghost had been an animal or an inanimate object. Whoever, or whatever, your ghost is, remember to flesh them out (if that's possible with an apparition!) as you would any other character. Give your ghost personality, and emotions that can be recognised, and help the reader to picture them. Whether the ghost appears to be human or is just a shadowy spirit the reader will want to know if they are angry, sad, lonely or amused? These are all things to think about.

The final thing I want to talk about regarding ghost stories is tension. If your story is a spine-tingler, be sure to build up the tension gradually. Don't tell the reader what is happening straight away - let them fill in the details. Drop in hints that all is not what it seems along the way. If you don't, you will lesson the impact at the end of your story. There will be no surprises and the judge/editor will say, "Okay, but I knew that anyway." Do you have any fears? If so, use them. I'll guarantee they'll be more believable than ones you've made up.

You've thought about all these things and have written a fabulous wining ghost story. Right? Well, not necessarily. At the end of the day, your ghost story is just that... a short story. You mustn't forget the fundamentals of any story. Pace, story arc, a clear beginning middle and end, technicalities such as grammar, punctuation and dialogue and thoughtful word choices are all very important, as is a professionally presented manuscript.

You can read what I look for as a competition judge here.

So there you have it. If you're thinking of having a go at writing a ghost story, I highly recommend this book by Kath McGurl. It's called Ghost Stories and How to Write them. 

Go on, have a go... whooooo!

Waiting in the Wings - a musical inspiration

When fellow writer, Elaina James, asked me if I would like to participate in a blogging event (based around music) to link in with her guest blogs on the Mslexia site, I didn't hesitate to say yes. The only problem was, I was spoilt for choice as music is a big part of my life. I have been a member of my local Choir, Cantatrice, for over ten years and dancing (to a variety of different types of music) has been my hobby for even longer. Not surprisingly, music has featured in many of my stories in some form or another.

It was difficult to choose which to write about but then a piece of good fortune revealed itself. Elaina told me that her blog series was about chasing your writing dreams and that she'd written it from the perspective of a lyricist with stage fright (the final blog post focusing on the accidental chance to turn her words into a song with music). What a stroke of luck, for my story, 'Waiting in the Wings' had just been published in The People's Friend Special. It fitted the theme perfectly as the main character was a lyricist.

The story starts with Chris, a young songwriter, trying to write lyrics for a radio competition. He knows they want something upbeat but, because he has just split up with his girlfriend, the only words that come into his head are sad ones - words they said to each other during the breakup (I drip feed these random lines into the first part of the story). His mother sees the screwed up lines on the floor and tries to encourage him. 'Keep at it,' she says. 'Follow your dreams.'

In the second part of the story we are introduced to an older Chris who is now a successful lyricist for musical theatre. One of his best known musicals is being revived and he has been asked to write a new love song for it but once again he finds the words stalling - this time due to the death of his friend and composer, Ben.

I don't want to tell you everything, in case you intend to read it, but in the end Chris manages to write the new song for the show, using the lines he wrote (and threw away) all those years ago - but which his mother kept. 

This is the final verse:

I never knew that words could cause such sorrow

Don't tell me now, wait until tomorrow

You leave a trail of footprints on my heart

I know I loved you too much from the start

Maybe I should have been a lyricist!

So, moving on to the inspiration for this story. First of all, I love musical theatre - my mother and I have seen just about every musical over the years and some of our favourites are ones with lyrics by Sir Tim Rice (Evita being my all time favourite). In fact Joseph was the first musical I ever saw and I was even in a production of it when I was about eleven.

If you follow this blog, you will already know the story but last December I was adjudicator for the SWWJ short story competition and was invited to their Christmas tea in London to award the prizes. Imagine how delighted I was to hear that the other guest was none other that Sir Tim Rice. (You can read about the day in my blog post here.)

As the society's guests, we sat at the same table and it was lovely to have the opportunity to talk to him. During tea, Sir Tim asked me a lot about my magazine writing and mentioned that his mother had liked The People's Friend. I remember how even then a story idea was forming in my head.

After the tea, Sir Tim gave a speech about his early career and, when he talked about his musicals, I couldn't help wondering how he came up with such wonderful lyrics time and time again. Had he ever had writers' block? It made me think about my story again - what if the main character couldn't find the right words because he had a broken heart?

So there you have it - that meeting was the inspiration behind my story, Waiting in the Wings... Wouldn't it be lovely if Sir Tim read it!

This blog post is part of a music themed blog event organised by Elaina James, a guest blogger on Mslexia. 

Her author page on Mslexia can be found at www.mslexia.co.uk/author/elainajames.


Details of participating bloggers in this event can be found on Elaina James’ blog.

Short Stories - What I look for as a competition judge

I am pleased to be in this month's Writers Forum magazine talking to Helen M Walters about what I look for when judging short story competitions.

Over the last couple of years, I have been judge for the Chiltern Writers short story competition and also been adjudicator for the SWWJ John Walter Salver Competition (you can read about my afternoon at the award ceremony here.) 

I shall be judging another short story competition later this year. This time, it is the Rosemary Robb Ghost Story Competition for the Nottingham Writers Club. I'm very excited about this as I have written a few ghost stories myself. In fact, it was a post on this blog, about one I'd just had  published in Take a Break fiction Feast, which prompted their prose secretary, Carol Bevitt, to think of me as their judge.You can read the post on my ghost story here.

The thing about writing competitions is they are pretty subjective - what attracts one judge to an entry might leave another cold. Even so, there are a few simple things that can be done to ensure your entry isn't instantly put on the 'no' pile whoever the judge is e.g. make sure your story is professionally presented and has been checked for spelling and grammar errors and, above all, follow the competition rules to the letter. 

Other than that, you can only write something you love and keep your fingers crossed that the judge will too! 

Now of course if you want to know how I judge, the best thing would be to read the whole interview in the magazine but I thought I'd make a short list, here on my blog, of the things I like and dislike in a short story competition entry.

• Write a story, not just a scene (however beautiful)
• Avoid a weak ending
• Balance narrative and dialogue
• Make the story fit the theme
• Whatever question is set up at the beginning of the story, make sure it is answered at the end
• Make me care about the characters
• Avoid cliches
• Avoid too many adjectives/adverbs
• I don't want to be 'aware' of the writer and their techniques
• Don't presume that as I write a lot of romance for magazines that this is what I look for (I enjoy a variety of writing)

and finally:

• Make me feel something (this can be sorrow, happiness, amusement, surprise... anything!) as the ultimate prize will be given to the story that a day (or even a few days) after reading will still be in my head. 

So there you have it - how to get the competitive edge in a nutshell. Just remember, the judge of the writing competition you have entered will have their own set of likes and dislikes.

For anyone thinking of entering competitions, you can do no better than popping over to Patsy Collin's blog, where she regularly posts the latest ones to try... good luck!

My Writing Year 2015

Today I am going to be looking back at all the lovely things that have happened in 2015 (excluding general story sales or publications).

January - The year started as usual with teacakes and goal setting with writing chum, Tracy Fells. I joined the RNA New Writers' Scheme and author Ben Adams wrote a guest  post.

February - Met Karen Aldous in London for a celebrity make-over with daughter Gemma as a prize win.

March - A fanfare to celebrate the Publication and Launch party for story collection The Last Rose. As part of my bog tour I was guest on these  blogs The Write Romantics, Anne Harvey, Write Minds Write Place, Karen Aldous, Ben Adams, Never too Late to Write.

April - My first serial, Charlotte's War, was published in The People's Friend. I had an article published in Writing Magazine on writing serials. Patsy Collins and Samantha Tonge were blog guests. Went to the Riot Jive Weekend on Hayling Island.

May - Had a wonderful holiday to Vengen in Switzerland and a weekend at Corfe Castle. Alison May was my blog guest. I am guest on A Woman's Wisdom blog.

June - Had three lovely guests on my blog: Julie Shackman, Malcolm Welshman and The People's Friend Fiction editor, Shirley Blair talking about writing serials for the magazine.

July - I attended my first RNA Writers' Conference in London. Deirdre Palmer was my blog guest and I had a lovely boating holiday on the Kennet and Avon Canal.

August - Entered the #PitchCB contest and had two agents 'favourite' my novel pitch. Had a story in The People's Friend Annual 2016. Merryn Allingham was my blog guest. I was asked to be competition judge for the SWWJ John Walter Salver award.

September - Had my second serial, Life at Babcock published in The People's Friend magazine. I was interviewed by Doug McPherson for his article on breaking into serials in Writers' Forum. Writing chum Tracy Fells and I joined forces to discuss writing buddies in Lyn Hackles' 'Novel Ideas' column in writing Magazine. I was featured author on the Writing and Wellness blog. Had a weekend in Bordeaux with my girlfriends. Went on a wonderful research trip to Skopelos and Alonissos and finally finished my novel.

October - Sold my 100th story to The People's Friend. Samantha Tonge and Julia Gibbs were guests on my blog.

November - Went to the RNA Winter Party in London. Patsy Collins and Leonora Frances were my blog guests. I was guest on Elaina James' and Susanna Bavin's blogs. Had my novel back from my RNA NWS reader.

December - I was special guest at the SWWJ Christmas tea in London, along with Sir Tim Rice, where I awarded the prizes for the story competition. Had four Christmas stories published in magazines. I was guest on Rachel Brimble's  blog.

Now I'm off to have a sherry and a mince pie so all that's left is to wish all you lovely readers a very Happy Christmas and thank you all for supporting my blog through another year!

The SWWJ Christmas Tea... and Meeting Sir Tim Rice

Many of you will know that it's been a difficult time for me recently with two bereavements in the space of just a few days. I made the decision not to update my blog last week and retreated from social media for a while (sorry if yours was one of the blogs I didn't comment on) but there was one shining event to brighten up my week - the SWWJ Christmas Celebration.

You might think I'm looking rather pleased with myself in the photograph and that's because I never in a million years thought I'd have double billing with Sir Tim Rice of 'Joseph' and 'Evita' fame. I even have the programme to prove it. Okay, so my name is slightly smaller than his but I won't hold that against him.

So why was it that at 2.20 pm on a Thursday afternoon I was standing at a lectern, speaking into a microphone to a roomful of writers? It's not as if public speaking is something I do a lot. Being a typical writer, I don't particularly like being in the spotlight and, as a former teacher, I'm more comfortable speaking to a classroom full of children. The answer is, I was presenting the prizes for the John Walter Salver short story competition which I adjudicated. Sir Tim was there because he is one of the society's patrons.

That I was even at this lovely event was due to fellow magazine writer Vivien Brown (Hampshire) as it was she who asked me to be the competition judge. What an honour. It was a pleasure to read everyone's stories when the entries were sent to me and it was nice to have the chance to meet the winners. First prize winner, Carloline Aukland, is in the photograph above.

The event took place in a beautiful room at the National Liberal Club in Whitehall Place, London. It was a very grand venue - finding the cloakroom in the maze of corridors was an event in itself!

I was quite relieved that I would be reading my judge's report and presenting the prizes at the start of the afternoon which left me no time to get nervous.

After a lovely introduction by Viv (thank you for making me sound so important!) it was time for me to take my place at the lectern. Luckily, once I'd started speaking, it wasn't nearly as nerve wracking as I'd imagined it would be - it's amazing what can be achieved when you picture your audience as a class of seven year olds! It was also nice that a few of my RNA writing friends had come to the tea to support me. I was thrilled when it turned out that one of them, Margaret Mounsdon, was the third place winner (she'd kept it quiet that she was a member and an entrant). Here I am presenting Margaret with her prize. People were so lovely and said such nice things afterwards - I'll certainly feel more confident if I have to do something like this again.

The presentation was followed by a delicious tea with sandwiches, cakes and scones. I'd been a little worried about what I might talk to Sir Tim about as I was slightly star-struck (in junior school I was in a school production of Joseph and since that time, have seen every one of his musicals except Chess) but I needn't have worried as he was warm and friendly, praising my short story success and 'meteoric rise' in the market. Gulp! I only just managed to stop myself from blurting out, 'You've done pretty well yourself'. If you're reading this, Sir Tim, I'd like to thank you for making me feel so at ease - I hope I didn't bore you too much with stories of my children!

After the tea, there was the chance to talk to some of the other guests and then it was time for Sir Tim's speech. Amongst other things, I found out that he started his career wanting to be a pop singer and that his favourite out of his songs is 'Another Suitcase in Another Hall'. It was a great speech to bring the lovely celebrations to an end.

Wouldn't it be lovely if  next time I speak to an audience it's to introduce my debut novel. Well, you know what Sir Tim Rice would say... Any Dream Will Do!

Sorry, everyone - I just couldn't resist it :)

If any of you are thinking of joining the SWWJ, their website is here

Judge for SWWJ John Walter Trophy Short Story Competition

I am delighted to announce that I have been asked by the Society of Women Writers and Journalists to be the judge for this year's John Walter Trophy Short Story Competition.

Let me tell you a little about the SWWJ. It was founded in 1894 by newspaper proprietor Joseph Snell Wood, and is the UK's longest-established society for professional women writers. It has since become an international association affiliated to women's associations worldwide. Victoria Wood is its president and Sir Tim Rice and Simon Brett are among the patrons.

Viv Brown (who writes as Vivien Hampshire and who kindly suggested me as a judge) has been a member for ten years and is on the council. She has written an excellent blogpost about the SWWJ here. She says that the society is always looking to welcome new writers of all ages who might be novelists, journalists, playwrights, poets, article writers and writers of non-fiction books.

It's not the first time that I've judged a short story competition. Last year, the Chiltern Writers Group kindly asked me to judge their annual competition and I enjoyed it so much I was more than happy to say yes to this new request from the SWWJ.

I've already started to think what I shall be looking for once the stories start coming in but my mind is open to any genre, emotion and style. Without giving too much away, I will just say that the winning entries will need to entertain me but also move me in some way - be it through hope, sadness, joyfulness, humour or tragedy. 

Good luck to all the entrants!

In other news, I have had my first response to my #PitchCB submission. You can read last week's updated post here.  

Also, I'm very excited that my new serial, Life at Babcock House, will be starting in the September 5th issue of the The People's Friend. I was thrilled with the response to my first serial, Charlotte's War and am hoping readers will like this one just as much.

Finally, if you'd like to find out more about the SWWJ, the contact details are below:

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