Tuesday, 24 April 2018

Did Someone Say Ghost? - Guest Post Natalie Kleinman

Natalie Kleinman is my blog guest this week. Natalie was one of the very first guests on Wendy's Writing Now back in 2014 so I'm delighted to be welcoming her back. Natalie's Regency romance, The Ghost of Glendale, will be published on 25th April and I wanted to find out a little more about the novella and also about her writing life.

We’re stuck in a lift. You have two minutes to persuade me to buy The Ghost of Glendale before help arrives. Ready, steady, go!

Phoebe Marcham is twenty-four years old and resigned to spinsterhood, unwilling to settle for anything less than the deep love her parents had shared. Then Duncan Armstrong rides into her home and into her heart, larger than life and with laughter in his eyes and more charm in his little finger than anyone she’s ever met before. The French Revolution is history and he’s been travelling on the Continent, indulging his love of historical artefacts and enlarging his collection. Home now, his thirst for adventure hasn’t abated and, far from ridiculing her family ghost, Duncan resolves to help Phoebe solve the mystery which has left Simon Marcham a spirit in torment for two hundred years.

The Ghost of Glendale is a Regency novella, what attracted you to this period in history?

Oh that’s an easy one. I was weaned on Georgette Heyer who is my all-time favourite author. She had wit and charm and a wonderful grasp of her subject. What can I say about her that hasn’t already been said? She brought that period in history to life for me and for so many others. In a way it took a lot of courage to write this book. It felt a bit like reaching for the stars. Georgette Heyer had done it before and done it better than anyone else in my opinion. But there was a compulsion which I couldn’t resist. I had to try.

What three words would you use to describe your protagonist, Phoebe Marcham?

Feisty, Engaging, Tenacious

How long did it take you to write your novel?

This was a joy to write for many reasons but way up there was the fact that it was always only ever going to be novella length. The main thread was in my head from the start and it just fell from my fingertips. It took something in the region of four months, though it’s over a year since I wrote it. It was submitted to and accepted by The People’s Friend as a pocket novel, which is why I have chosen for the first time to self-publish. My justification to myself was that if it was good enough for DC Thomson it was sufficient endorsement to go ahead.

Are you a pantster or do you plot?

Although I do plot more now than ever before, I am by nature a pantser. For instance, (and I’d be interested to know about your own experience in this field), when writing short stories I always have the beginning and the end. It’s getting from the one to the other that is a mystery until I start writing. In a way it’s similar with a novel, although I do try to have one or two sub-plots waiting in the wings. That said, something may come to me, seemingly from out of nowhere, and take me on its own sweet way. I have been known to write myself into a corner on occasions but mostly it works. The book takes on a life of its own and I go where it takes me.

Do you believe in writers’ block?

Am I allowed to say yes and no? I have suffered – oh how I have suffered – from staring at a screen in despair, wondering what on earth I was going to write next. But I believe these are the times just to get something written, anything written, in order to get things flowing again, even if it’s discarded later. Is that writers’ block? I don’t think so. It’s just a momentary lack of inspiration and that’s where the perspiration comes in.

You have written short stories for magazines. Do you prefer writing shorter or longer fiction?

Oh, both have their place in my heart. There’s a real joy in writing a short story. To create a world and resolve a conflict in a couple of thousand words is very satisfying. My short stories aren’t always happy ever afters but they’re always rewarding, for me anyway. That said, I don’t think anything beats the euphoria of completing a novel and, after however many edits, knowing you’ve done the best you can and told the story you want to tell. I never type ‘The End’. I know when it’s the end.

Is there anything you wish someone had told you before you embarked on a writing career?

Oh yes! I’d like someone to have said “Are you crazy? Don’t you know how hard this is?” But I’m glad they didn’t. I’m where I want to be.

What was the first book that made you cry?

There have been so many, I don’t remember which was the first. In many ways it’s like going to the movies. When I was younger I would bite my lip and either not give way to tears or at the very least hide them from my companions. It was the same with books. Nowadays I cry unashamedly, at films, at books, and even at some of my own stories.

What next for Natalie Kleinman?

I’d love to write another Regency. I’m hoping this one is well-received. In the meantime there is a plot in my head. I know the beginning. I know the end. I just have to get from the one to the other.

Thank you for hosting me on your blog, Wendy. I’ve enjoyed it so much.

At twenty-four years old, Phoebe Marcham is resigned to spinsterhood, unwilling to settle for anything less than the deep love her parents had shared. That is, until adventurer Duncan Armstrong rides into her home wood, larger than life and with laughter in his eyes and more charm in his little finger than anyone she’s ever met before. Far from ridiculing her family ghost, Duncan resolves to help solve the mystery which has left Simon Marcham a spirit in torment for two hundred years.

The Ghost of Glendale can be purchased here Amazon

Natalie is a published novelist and short story writer whose addiction to the books of Georgette Heyer and love of The Regency have been the inspiration for her latest book, The Ghost of Glendale. 

Working on the premise that you never stop learning, she goes to any and every writing event and workshop she can. In addition she attends The Write Place Creative Writing School in Hextable in Kent, one of the rewards for which is an abundant supply of cream cakes to celebrate the frequent successes of its students. 

Natalie is a member of the Romantic Novelists Association, The Society of Authors and the Society of Women Writers and Journalists. She lives with her husband in southeast London.

Social Media Links –

Blog: https://nataliekleinman.blogspot.co.uk/

Natalie's interview has been part of a blog tour organised by Rachel's Random Resources.

Tuesday, 17 April 2018

Writing Inspiration in Mallorca - that's my story and I'm sticking to it!

Alright, I admit it. I've been away again but I'm not going to feel guilty.

The reason I'm not is because of my neighbour. She and her husband are in their eighties and are not able to do the things they used to do. Even a trip to the village shop is a major outing for them these days. Whenever I stop for a chat with her, she always says to me, "Wendy, do as much as you can, while you can. One day you'll be old and may not be able to do everything you want to do. Make the most of life while you can."

These words were an echo of those of a dear friend who passed away two years ago and it made me think about the truth in them. Life is for living... for enjoying. I've had periods of my life when things have been challenging but, at the moment, life is great. None of us know what's around the corner and, while we are able, my husband and I have decided to make the most of it. Having wonderful breaks in beautiful places such as the one we've just had in the Tramuntana Mountains of Mallorca, being one way.

We were there for five days and stayed in a simple finca on a hillside studded with orange and lemon trees. This photograph was of our garden and, each morning, we'd pick oranges from the trees and have freshly squeezed orange juice with our breakfast.

Each morning, we'd wake up to the sound of sheep bells and birdsong, and, when we opened the shutters, the air was filled with the fragrance of orange blossom. Once, we looked out to see a heard of mountain goats in our orchard!

Fifteen minutes down a steep and cobbled track (and over stepping stones in a stream) led us to the village of  Fornalutx, which prides itself on having the title of the prettiest village in Spain. It was obvious why - nestled in the mountains, its cobbled streets and warm stone houses with their red-tiled roofs are a delight.

The place is a walkers' paradise but, having only brought trainers, my husband and I were content to take the footpath through the olive trees to Soller in the valley below and then on to Port de Soller. If we were looking for a beach resort, this is probably where we'd choose as it was lovely.

Feeling a bit lazy, we caught the little tram back to Soller, then walked back to Fornalutx, stopping for a well-earned chilled glass of white wine in the square.

The rest of or days were spent, visiting the lovely seaside resort of Puerto Pollensa, discovering the villages of Valldemossa and Deia and eating good food. We were lucky to have several restaurants in the village and didn't have a bad meal. In fact, the paella we had on our last night was probably the best we've ever eaten.

As you can imagine, we were very sad to leave our little finca but holidays must come to an end. My husband needed to get back to work and I needed to get back to my writing. I like to think of these breaks as inspiration for my magazine stories - needless to say, I have already started one set on this beautiful island. 

Speaking of magazines, I came home to find I had a story in the latest People's Friend magazine and here it is!

Monday, 2 April 2018

What's Happening With Your Novel? Who knows?

"What's happening with your novel?" 

That's the question I've been asked a lot recently, by family, friends and also by some of the lovely people who have been following my writing journey on this blog.

The honest answer is I'm not really sure. In many ways, I've been extremely fortunate, my novel has won a competition, and several agents have asked to see the full manuscript, but it's just the first step in a very long process. I'm trying to be patient and optimistic but it's surprising how quickly the initial euphoria at sending that manuscript off can change to nail-biting self-doubt as soon as the waiting begins again.

With no news you start to second guess, deciding the reason you've heard nothing from an agent is because:

a) They haven't had time to read it.
b) They have had time to read it but have been too busy to email you.
c) They've read it and loved it but want a second opinion.
d) They've read it and didn't like it but didn't know how to tell you.
e) They've read it and didn't like it but forgot to tell you.
f) The email with the attached manuscript went astray and they never received it.
g) The email offering a contract went astray.
h) The email rejecting your novel went astray.

... and so on.

In the meantime, I've been trying to put it out of my mind by busying myself with writing more stories for the magazines. This week has seen three of them published (one in the People's Friend magazine and two in Woman's Weekly Fiction special). I'll leave you with some pictures of them and promise that if I hear any good news regarding my novel, you will be the first to know... after my husband, children, mother, brother, sister and writing chum Tracy Fells :)

Tuesday, 20 March 2018

Pitch Perfect - My Day at the Write By the Beach Conference

On Saturday, I attended the Write By the Beach Conference, run by The Beach Hut Writing Academy. It's the third year I've been to this event, with writing chum, Tracy Fells, and I've enjoyed each one, so I thought I'd give you a little taster of what the day was like.

Rather than have us wait around on cold station platforms (as snow had been forecast) my lovely husband offered us a door to door taxi service. How could we refuse! After picking up writer, Liz Eeles, we were chauffeured to the Friends Meeting House in Brighton, where the conference was to be held. Arriving early (and worried there might not be any coffee served until the break) we popped into the nearby Lanes Coffee House, conveniently situated opposite, for a quick cup.

It was the first year the conference had been held in the Friend's Meeting House but, with its high ceilings and spacious meeting room, it proved to be a good choice. The previous two conferences had been held in a lovely townhouse on the Hove seafront, but it had been rather a squeeze to fit everyone in. This venue fitted the bill perfectly.

The lovely Kate Harrison and Laura Wilkinson were our hosts for the day and they did a brilliant job, welcoming people and making sure everything ran smoothly. After saying a quick hello to fellow RNA writing friends, Merryn Allingham, Deirdre Palmer and Sue Griffin, we took our seats for our first speaker. It was Julie Cohen and her talk was Plotting With Post-it Notes. Although I've heard Julie speak on this subject before, she is so engaging that I didn't care and was soon sticking Post-Its into my book with the best of them! It was billed as a fun, interactive workshop and it certainly was. 

The next session I went to was run by Kate Harrison and it was called Pitch Clinic: 7 steps to make your book irresistible. Well, making my book irresistible is pretty important to me at the moment, as I'm at the agent subbing stage, so I was hanging on to Kate's every word! Thankfully, by the end of the session, I realised that I'd already done most of the things Kate had recommended. Just as well, seeing as my submission was already with one of the agents I was seeing later that afternoon.

After a coffee, it was back to the meeting room for a panel talk, where agents from Janklow and Nesbit, Conville and Walsh, DHH Literary Agency, The Bent Agency and David Higham Associates were going to be telling us what was needed to catch their eye with a standout submission. It was really interesting to get an insight into the workings of the different agencies: how many clients they took on through events like this one and how many from the slush pile; what they didn't want to see in a covering letter and what the next trend might be - 'uplit' apparently. 

It was then time for lunch (a delicious Indian buffet) and a chance to have a chat with other writers (although I have to admit my appetite had rather left me as I knew my agent pitch was coming up).

But, before the pitch session, I had another talk to go to. This time, it was Erin Kelly talking about the history of the psychological thriller. For me, it was the highlight of the conference as it was relevant to my writing. In Erin's view, Jane Eyre was the first psychological thriller - she may well be right.

As my pitch session was in the middle of the next talk (a choice of either Erinna Mettler's 'Short Stories' or Bridget Whelan's 'Memoirs') I took time out to calm my nerves and look at the book table. I then joined the others outside the room where the pitches were taking place. Strict timekeeping was kept by the ringing of a bell, reminding me of parents' evening, and you could almost feel the nervous energy from those waiting.

Thankfully, the agent I'd chosen to see was absolutely lovely and soon put me at my ease. She'd made notes on things she wanted to discuss about the three chapters and gave me a couple of pointers. Then she told me how much she'd liked what she'd read and asked if I'd send her the rest. I couldn't have been happier. It was also a relief to be told that my covering letter had hit the mark.

Having done my pitch, I could now relax and enjoy the tea break where drinks were accompanied by a choice of the most delicious tray bake cakes I've seen (or tasted). What a treat. The final session was an author panel talk about different types of publishing then, before we knew it, the day had ended and we were on our way home, tired but buzzing from all the information we'd absorbed. 

I really hope the Write By the Beach conference returns next year. If it does, I will definitely be there.

Tuesday, 13 March 2018

Another Bugbear - the semi-colon

I had no idea just how popular my post on commas would be last week! If you missed it and would like to have a look you can find it here.

In your comments here on my blog, on Twitter and on Facebook, several of you mentioned that the incorrect use of the semi-colon (or semicolon) was something that irritated you. For me, it's not so much the incorrect use of the semi-colon but the use of a comma when a semi-colon should be used.

If you're confused by these fiddly punctuation marks, you're in good company. Most people find them the trickiest to master. My year six class certainly did and, if they moved on to secondary school with an understanding of them, I'd give myself a little pat on the back.

"Just put one in your SATS writing task," I'd beg. "The marker of your paper will think you're a genius!"

So what is a semi-colon?

Basically, it's a type of pause - longer than a comma but not as long as a full stop.

There are two reasons why you would use a semi-colon.


This is the simplest use of the semi-colon. Usually, you'd use a comma to separate items in a list but what if the list is more complicated? More descriptive? This is when you'd use semi-colons.


(simple list) In my bag is a pen, comb, a receipt and a purse.

(more detailed list) In my bag is a red pen with a missing lid; a comb with no teeth; a receipt for a coffee and a beaded purse with no money in it.

Easy peasy!


This is a little harder to explain but bear with me. Many writers make the mistake of using a comma to join two complete sentences. DON'T! This is the dreaded comma splice and, if I see you use it, I will shout SPLICE at you very loudly (something I made my year six children do if they identified one in a list of sentences I'd written on the board).

Look at these two sentences.

The boy pushed open the window.
He climbed in.

We could write them as two separate sentences using full stops.

The boy pushed open the window. He climbed in.

There's nothing wrong with this but, if you look closely, you'll notice that the two sentences are closely linked. The first is about the window being opened and the second is about the boy climbing through it. Because of this, it would be more powerful to link the sentences together with a semi-colon.

The boy pushed open the window; he climbed in. (note: no capital letter is used after the semi-colon.)

So, to recap. They must be two complete sentences and they must be linked by theme or topic to each other if a semi-colon is to be used.

What you MUSTN'T do (sorry to shout again) is use a comma! A comma can only join a sentence with a part of a sentence. If you try to join two complete sentences with a comma, it is a comma splice... arggg! Stand outside my door!

To finish, which one of these sentences is correct?

a) Bonnie is a bad dog; she likes to chase other dogs.

b) My cat is very old, he sleeps most of the day.

c) My husband is good at fixing things; if they're broken.

d) I can hear  traffic outside my window; I'm going to the cinema.

P.S If you say b I might never speak to you again!

The semi-colon is, sadly I feel, going out of fashion. do you ever use it?

Tuesday, 6 March 2018

A Bee in My Bonnet - about commas

Once upon a time, I was an English teacher in a primary school but I expect you already know that. It was a subject I loved and I hope I taught the children well. 

Although it was a private school, we followed the National Curriculum and I like to think that, by the time they left in year 6, most of the kids had a pretty good grasp of the fundamentals of reading and writing.

Some of the elements I had to teach amuse me now. I remember how, in the Key Stage 1 SATS writing tasks, extra marks could be gained by using three adjectives in a row or a plethora of adverbs. Things they would have to unlearn if any went on to become authors! Oh, well.

Somewhat surprisingly, it was punctuation that I really loved teaching in the English lessons. I taught every year group and it was rewarding to know that the child who was about to leave the school in Year 6, knowing how to use a semi-colon, was the same one I'd taught to use a full stop in Year 2.

There was something I had a real bee in my bonnet about though. COMMAS.

A little while ago, I met an old pupil of mine. She was now sixteen but told me she still had my voice in her head whenever she did any writing. I asked her why and she told me it was because to teach sentences with two parts, I used to write a sentence on the board and read it out saying the word comma when I came to the symbol

When evening came, the moon started to rise.
When evening came comma the moon started to rise.

After reading it, I would then get the children to make up their own sentences and say them in the same way. 

She then said, "Do you remember that lesson called, Cut it Out?"

I did. It was to help them to learn how to use two commas to separate a piece of information in the middle of a sentence. I'd write sentences on the board and then get the kids to shout, "Cut it out!" if the sentence made sense without the part enclosed by the commas. If it did, the sentence was properly punctuated.

This is a sentence that would have the children saying the magic words: 

I left the house and, realising I was late, took the short cut. 

If you cut out 'realising I was late', the sentence still makes sense. Which is why I've been surprised to read sentences punctuated like the one below in novels: 

I left the house, and realising I was late, took the short cut. If you cut out 'and realising I was late', the sentence does not make sense.

It was happening so frequently (in traditionally published novels) that I was beginning to doubt myself. How happy I was then to turn to the 'On Writing' column in the March edition of Writing Magazine and find that writing tutor, Tony Rossiter, had covered this exact subject. With relief, I read the paragraph where he explains that it must always be possible to remove the information between two commas without damaging the sentence. He then uses an example just like mine. Phew - thanks Tony, for saving my sanity.

He also mentions the use of two sentences joined together with a comma instead of a semi-colon - the dreaded comma splice.

It might be better not to get me started on that one!

Do you have any bees in your bonnet about punctuation?

Wednesday, 21 February 2018

A Fortnight is Not Enough - Guest Post Rosemary Goodacre

How exciting to add another RNA writing friend to my list of guest bloggers. Today, it's the turn of Rosemary Goodacre, whose debut novel, A Fortnight is Not Enough, was published this week by American publisher, Books to Go Now.

Wanting to find out more about her book, I asked Rosemary a few questions.

Can you remember where you were and what you were doing when the idea for A Fortnight is Not Enough first came to you?

Often, during a memorable holiday, I enjoy a fantasy about not returning home.

You’ve met me in an elevator. Can you convince me to buy your novel before it reaches the ground floor?

Have you ever enjoyed a holiday so much you couldn’t bear to go home? When Imogen meets Jules in Provence her three days there extend to a fortnight, and then she deliberately misses her flight home…

How long did it take you to write?

I had the initial idea for a long while before I decided how it would end and chose the setting. Once I had all the ingredients it only took a few weeks, as it’s a novella of about 20,000 words.

Are you a planner or a pantster?

I find I need an outline plan before I start. I generally do a chapter breakdown, to decide if there’s enough story, and have an idea how it will end. I’m not an obsessive planner, though, and you need to be prepared for the characters to suddenly develop and take you in a new direction.

What was the hardest scene to write?

Imogen has an old boyfriend, Luke, who wants her to return home. She was attracted to him, but now she has met Jules she becomes aware of the flaws in Luke’s character.

When you write a character, do you have an image of a real-life person in your head?

Sometimes I do. It can help you begin a story but in different circumstances the person might take unexpected actions.

What do you like to do when you’re not writing?

When I’m not actually sitting at the computer I enjoy belonging to writers’ groups, for social events and to keep abreast of industry developments. I belong to The Write Place creative writing school and the New Writers Scheme of the Romantic Novelists’ Association. Both provide stimulation, advice and encouragement.

I also do voluntary work one day a week for a charity which trains disabled adults. I take a monthly half day walk with a group through the attractive local Kent countryside. I also belong to Friends of the Earth, because I’m very concerned about what we’re doing to the planet, and anxious we don’t spoil it for future generations. I love travel, particularly to the continent, and enjoy classical music.

What does your family think of your writing?
My husband doesn’t normally read novels, and my sons are more likely to read action-packed ones than romance. They’re impressed that I’ve been published, though. My husband read my novella just before it was released and found a mistake in the spelling of a place name, luckily when it could still be corrected.

What next for Rosemary Goodacre?

I have recently completed a full length novel entitled The Day of the Dolly Bird, which is a romance set in London in the Swinging Sixties. It has received a largely encouraging report from a professional novelist. I am currently working on a romance set in World War I.

Thank you so much, Wendy, for inviting me to your blog. The visit has been very enjoyable.


Rosemary Goodacre has worked in the computer industry and teaching, besides raising a family. She loves writing and has had short stories published, besides her novella, A Fortnight is not Enough.

Her historical novel Pleasure Train Polka (set in an Austrian spa town in summer 1914) was shortlisted in the 2014 Write Time competition run by Corazon Books.

Rosemary has recently completed a romantic novel set in the 1960s entitled The Day of the Dolly Bird. Currently she is working on a historical novel set in World War I.

Rosemary belongs to the New Writers Scheme of the Romantic Novelists’ Association. She is interested in travel, languages and classical music. She lives in Kent, England.