Showing posts with label Simon Whaley. Show all posts
Showing posts with label Simon Whaley. Show all posts

Sunday, 19 February 2017

That Special Business of Writing - Guest Post Simon Whaley


My guest today is Simon Whaley. I've known Simon for a few years now via social media and his articles in Writing Magazine are the ones I turn to first. Simon is also a short story writer, tutor and a terrific photographer. One thing about Simon is he's never been too busy to answer any questions I've had regarding the business of writing. Likewise, I've always been very happy to contribute to his articles when asked which is why I'm pleased he's brought out a new book on this very subject. 

I'll let Simon tell you about 'The Business of Writing' himself!

Writers are special. Well, the ones I know are. Because whenever you ask for help they will always provide it, if they can.

It’s something I learned as a budding writer in my early teens (gosh, we’re talking more than three decades now). At the time, I wrote to several famous writers (Alan Ayckbourn, Alan Bleasdale, John Sullivan, and David Crofts) asking for advice. And guess what? Every single one of them wrote back. (I still have the letters.)

Some of the advice was general. John Sullivan suggested that as I was 14, there was no need to panic just yet. I had plenty of time to experience life, because that’s what writers draw upon. Alan Bleasdale hinted that other careers were far easier and more rewarding financially. He based his argument on the assumption that it takes seven years to become a brain surgeon, and therefore it was probably quicker, and easier, to become a brain surgeon than a published writer. Looking back, he was spot on.

Alan Ayckbourn wrote three sides of A4 paper. I’m sure it was a ‘stock’ reply, but the fact that he’d sat down at some point to create a ‘stock’ reply still suggested a keenness to help other writers, even though he was pressed for time.

Perhaps, strangely, even though writers are often competing with one another, we still take pleasure from other writers’ successes, which is why, I think, we’re willing to help out. In particular, when it comes to a competitive market such as writing fiction for the women’s magazines, where we are all in competition with one another, we’ll still offer our thoughts and advice when a fellow womag writer asks for them.

In my Business of Writing column in Writing Magazine, I frequently ask other writers for help. When discussing a topic such as earning money from secondary rights like PLR or ALCS, I think it’s important to get comments from real writers who are out there, doing the job, and dealing with these aspects of the writing life on a daily basis.

Whenever ALCS is mentioned on Facebook groups, someone asks what it’s all about, and then everyone piles in explaining what the writer needs to do to register to get access to this money. This is despite the fact that those helping out may get less money in the future, because the pot of money has to be distributed between a greater number of writers. If you want to know more about ALCS, check out this post on my blog: http://www.thebusinessofwriting.co.uk/up-and-down, or buy a copy of my book ;-)

All writers are busy people. We earn our money by writing, not by helping out. Yet every writer I’ve ever approached for help when writing my column has always kindly done so. (Including Wendy, thank you!)

It’s one of the reasons why I wanted to gather some of my Business of Writing articles together into a book. When writers have helped out like this, I feel their generosity of advice should be available for a lot longer than the month of the issue the article appeared in.

So to all the writers who’ve helped me with my column since it began in 2014, thank you. (And thank you in advance to the writers I’ve yet to knock on their door asking for assistance.)


If you’re looking for advice from fellow writers about how they improve their productivity, determine which rights they sell in their stories, deal with crises of confidence (yes, we all have them), stay within the law of libel, create a business-like workspace, cope with rejection, and much, much more, then do check out my book, The Business of Writing.

And if you’re always looking for hints, tips and advice about the business of being a writer, then please visit my blog: www.thebusinessofwriting.co.uk. It’s free. Because as writers, we know how important it is to help each other.

Thank you!

Simon

Sunday, 14 August 2016

Merry Christmas! Writing Seasonal Stories



It's that time of year again. You know how it is - you're sitting in the garden with the sun blazing down, trying to shield your computer from the glare. You're sipping a cool drink but, on the screen, the words are all snowflakes, sleigh bells and Christmas presents.

Yes... it's the curse of the seasonal story!

Every year, since starting writing in 2012, I've had Christmas stories published in magazines (my record is three in one issue of Take a Break Fiction Feast) and, last week, I sold my first for 2016 to The People's Friend... yippee! 

It made me think it might be a good time to write a short post for anyone thinking of writing seasonal stories.

A couple of months ago, Simon Whaley interviewed me for an article in the July issue of Writing Magazine. The subject was time sensitivity when writing for magazines - something I know a lot about. Some of you might have read it but, for those who didn't, I thought I'd share my answers to the questions Simon asked me.


How far in advance do you write seasonal stories (Christmas, Easter, Halloween)? How easy or difficult do you find this?

The earlier the better. I write my Christmas stories round about June/July and try to have them submitted before August at the latest. I usually send a few stories – that way any that don’t sell can be resubmitted elsewhere. It’s also worth remembering that if your submission arrives too late, magazines such as The People’s Friend will often hold them over until the following Christmas. On several occasions I have had a Christmas story in the magazine that was written and subbed the previous year but missed the boat.

What steps do you take to get you in the seasonal mood, or to inspire you to make appropriate seasonal references? For example, I've heard some writers playing Christmas music in May as they write their festive prose! do you do anything similar, such as look at photos, or look for seasonal words or phrases to drop into your story?

None at all. Once I start writing, I get so immersed in my stories that even if it is blazing hot sun outside, in my head it is snowing!

How important is the season to stories? Can setting a story in a specific season benefit or harm it?

The thing to take into account when writing a story around a particular seasonal celebration, such as Christmas or Valentine’s Day, is that the magazines will be receiving hundreds of stories on the same subject. These stories will only be published in one or maybe two issues around that time and that reduces the number of stories that will be accepted. General seasonal ones (winter or summer) are better as you have a window of several months but non-seasonal stories will fit in anywhere and at any time and you won’t be directly competing with other writers (including the magazines’ regulars).

When do you submit seasonal stories? Does this vary between markets? And if a seasonal story is rejected (heaven forbid!) do you hold on to it to submit nearer the time to another market, or do you rewrite it completely in a different season?

I try to submit seasonal stories at least four months ahead but, having said that, I have sent last minute stories and had them accepted and published very quickly. If a seasonal story is rejected, it is resubmitted elsewhere, or saved for the next year. I have never rewritten a story in a different season but I have changed a valentine story into an anniversary one when I ran out of submission time.

Is there anything else you'd like to say on this subject?

Don’t force a seasonal story. If you don’t feel like writing Christmas stories in summer or holiday romances when it’s snowing, then don’t. Write something general that can be read at any time. Failing that, write your Christmas stories in the winter and hold on to them for a few months before submitting for the following Christmas.


I hope that's been helpful to anyone thinking of writing seasonal stories. Here's wishing you a Merry Christmas!