Showing posts with label Take a Break Fiction Feast. Show all posts
Showing posts with label Take a Break Fiction Feast. Show all posts

Sunday, 8 January 2017

Let's Celebrate a New Writing Year!


Hap... Hap... Happy New Year! 

I hope 2017 brings you everything you hope for.

On Wednesday, in time-honoured tradition, writing chum, Tracy Fells, and I got together to set out our writing goals for 2017. As we sat in our favourite cafe with our coffee and teacakes, we found ourselves looking back to the same day one year ago. We remembered how excited we were at having finished our novels and how the talk was all about where we would be in a year's time.  

2016 was to be 'The Year of the Novel' for us both but, as everyone knows, things don't always go to plan. I was incredibly lucky to find an agent fairly quickly but getting a novel ready for publication, in a format that everyone is happy with, hasn't been a simple process. I haven't talked a lot about it recently as things have been a bit up in the air.

Anyway, this leads me on to my targets for 2017 (or rather lack of them).

I will be putting my yearly targets on my blog but not until I've met with my agent in a couple of week's time. They have a new project they want to discuss with me and until that has happened, I can't really plan anything. You'll have to watch this space.

In the meantime, 2017 has started with a bang! I've already had two story sales and, at the time of writing, have five stories on sale in the shops - one in The People's Friend Special, two in Woman's Weekly Fiction Special, and two in Take a Break Fiction Feast (I can't imagine that happening again!). One of the stories was a ghost story but two were a new genre for me - crime mystery.

I was also excited to discover that the People's Friend have made a new audio of one of my stories, Out of the Dark. I loved this one and found it very moving as there is a lot of me in it (I had to hold my husband's hand when the reader got to the tube station scene as it brought back unsettling memories).

You can listen to my story here



Sunday, 20 November 2016

November Catch Up


Just a short post this week in the lull between guests. November has been an interesting month. I'd been going through a bit of an, 'I'll never be able to write anything again' stage but perked up no end when, as well as sales to The People's Friend, I sold two to Take a Break Fiction Feast and two to Woman's Weekly (the only two I've sent in over a year).

There have also been a flurry of publications - they've been a bit like buses. This week, I have one in The People's Friend Weekly and three in The People's Friend Fiction Special... I'm certainly not complaining though.



Also, I was very excited to find out that The Friend had made an audio recording of my story The Artist's Apprentice which you can listen to here



In other news, I went to the Romantic Novelists' Association Winter Party last week. For someone who doesn't like big gatherings, I had a lovely time. I spoke to as many people as I could and made an effort to talk to some writers I'd never met before. Everyone was unbelievable friendly but the noise was unbelievable!



And that's all for now... I'm off on a mini-break in the New Forest but I'll see you next week when I'll have a new guest taking the spotlight. Hope you'll join us.

Sunday, 23 October 2016

Writing a Winning Ghost Story


In just over a week's time it will be Halloween. To be honest, I've never been a huge fan of this celebration and even when my children were young, we were never ones for Halloween parties or trick-or-treating.

What I do like, though, is writing and reading ghost stories and this week I've been getting in the mood for all things ghostly, having just judged the Rosemary Robb Ghost Story Competition for the Nottingham Writers Club. I was asked to be adjudicator after the organiser had read one of my blog posts in which I explained how I'd crafted the ghost story that had just been published in Take a Break Fiction feast.

If you'd like to read the post, it's called, Ghost stories don't need to be scary.

There's been some talk on Facebook recently about the importance of selecting the right judge for a particular competition. I agree that matching a judge to the genre is crucial. If I was asked to read a selection of play-scripts or crime novels, I might know which one I liked best but I would find it hard to explain why I thought the entry worthy of being the winner. Why? Because I wouldn't know the craft of that particular type of writing. Equally, I would be in no position to explain why the entries that had not won, had fallen short of their mark. 

On the other hand, short stories in general, romances and magazine stories are things I know about and have had success with. This is why I have been happy to adjudicate stories in these areas - thank you to the Chiltern Writers' Group and the SWWJ for asking me. If you haven't already read my post on being invited to hand out the prizes at the the SWWJ Christmas tea alongside Sir Tim Rice, you can read it here.

So why did I say yes to judging the ghost story competition? It was because, as I said earlier, I love reading a good ghost story but more importantly because I have had success writing them myself otherwise I wouldn't have agreed. I've written eight to date - one that was long-listed for the BBC Opening Lines Competition and the others published in magazines (I even had the honour of writing The People's Friend Magazine's first ghost story).

And that's what I want to talk about today... writing a winning ghost story.

Of course, as with any competition or magazine submission, the judging is subjective to a great extent. Every adjudicator or editor will have a different idea of what they like in a ghost story. Some may like them to be chilling, others might prefer them to to be heartwarming, romantic or humorous. Whatever the judges preference, they will be looking for a well-crafted story that pleases.

Ghost stories fall into three categories:
  • One where the narrator of the story is the ghost. 
  • One where the narrator of the story is being haunted. 
  • One where there is no ghost at all (there is a rational explanation for any ghostly happenings). 
For my own part, apart from the competition listing, all my stories have had a ghost that's been a subtle presence rather than an 'in your face' apparition. More often than not, the ghostly character hasn't been revealed to the reader (or the main character) until the end of the story. See my ghost story breakdown here. That is how I like my ghost stories but that doesn't mean I don't enjoy one that is crafted a different way.

Whatever type of ghost story you decide to write, there is one rule that needs to be followed to make it work. THERE MUST BE A REASON WHY THE GHOST IS HAUNTING. Sorry to shout that but it's really important.
  • The ghost might have had a problem in his/her past life that needs to be resolved (which can usually only be done through the main character).
or
  • The person being haunted has a problem which the ghost can help with. 
Whichever you decide on, the reader must believe the problem is important enough for the ghost to be there otherwise the story will seem unbelievable and the judge won't want to turn to the next page.

The next thing to think about is the setting. What first comes to mind might be churchyards... old houses... a dark wood at night. Of course, these can lend atmosphere to a ghost story but your setting doesn't have to be dark and Gothic; an ordinary setting can work just as well. Why? Because the reader is more likely to be taken in by it. Settings of my own ghost stories have included: a sailing boat, an underground station, a school, a beach and a street like the one you might live in. Think of an ordinary setting and see how you could make it work.

What about the ghost itself? They can be sinister or benign. Both work. I've even read a story where the ghost had been an animal or an inanimate object. Whoever, or whatever, your ghost is, remember to flesh them out (if that's possible with an apparition!) as you would any other character. Give your ghost personality, and emotions that can be recognised, and help the reader to picture them. Whether the ghost appears to be human or is just a shadowy spirit the reader will want to know if they are angry, sad, lonely or amused? These are all things to think about.

The final thing I want to talk about regarding ghost stories is tension. If your story is a spine-tingler, be sure to build up the tension gradually. Don't tell the reader what is happening straight away - let them fill in the details. Drop in hints that all is not what it seems along the way. If you don't, you will lesson the impact at the end of your story. There will be no surprises and the judge/editor will say, "Okay, but I knew that anyway." Do you have any fears? If so, use them. I'll guarantee they'll be more believable than ones you've made up.

You've thought about all these things and have written a fabulous wining ghost story. Right? Well, not necessarily. At the end of the day, your ghost story is just that... a short story. You mustn't forget the fundamentals of any story. Pace, story arc, a clear beginning middle and end, technicalities such as grammar, punctuation and dialogue and thoughtful word choices are all very important, as is a professionally presented manuscript.

You can read what I look for as a competition judge here.

So there you have it. If you're thinking of having a go at writing a ghost story, I highly recommend this book by Kath McGurl. It's called Ghost Stories and How to Write them

Go on, have a go... whooooo!

Monday, 5 September 2016

Holidays as Inspiration for Your Stories


This has been a good week for magazine stories. I have two in The People's Friend Weekly (very unusual as they don't often feature a writer more than once unless it's in the Special) and one in Take a Break Fiction Feast.

It was as I was reading them again that it occurred to me that all three had been written following a holiday. Two from this year and one a while ago.

My first story in The Friend is called 'Welcome to Paradise' and I'll tell you a little about how this one came about. In May this year, my husband and I went on a fantastic holiday to Sorrento and the Amalfi Coast. For the second part of the holiday, we stayed in the beautiful village of Positano.



When we arrived at the beach around the headland, we were greeted by a young man from the local bar. 'Welcome to Paradise!' he said. We thought that was rather lovely and it amused us when we heard him say the same thing to everyone. If a group of pretty girls came down to the beach, he was extra attentive. I just knew I had to write a story about him as soon as I got back. I sent the story along with the photo above to my editor who bought it. This is the lovely illustration that they put with it - rather arty don't you think!


My second story in The People's Friend is called 'A Walk on the Fells'. The original title was The Coffin Stone which was much more interesting I think - maybe they didn't like the word 'coffin'. I wrote it after I came back form The Lake District in April. It is absolutely one of my favourite places in England to holiday and I have written (and have had published) a story every time I've come home from a visit. This is my fourth Lake District story for The Friend and I've had one published in Fiction Feast too.

Fiction editor, Shirley Blair, asked if I would tell the readers the inspiration behind my story and here it is. Have any of you ever walked the 'coffin route?'

My final story this week is called 'Don't Rock the Boat' - originally titled, 'Bridge Over Troubled Water' (never be precious about your titles). It was one of my first stories and was written after my first canal boat holiday in 2012. It didn't sell then so I put it away in a drawer, revamped it and resent it four years later. I've had three more canal boat holidays since then.




I'm off to the Greek island of Ithaka soon... I feel another Greek story coming on!




Sunday, 14 August 2016

Merry Christmas! Writing Seasonal Stories



It's that time of year again. You know how it is - you're sitting in the garden with the sun blazing down, trying to shield your computer from the glare. You're sipping a cool drink but, on the screen, the words are all snowflakes, sleigh bells and Christmas presents.

Yes... it's the curse of the seasonal story!

Every year, since starting writing in 2012, I've had Christmas stories published in magazines (my record is three in one issue of Take a Break Fiction Feast) and, last week, I sold my first for 2016 to The People's Friend... yippee! 

It made me think it might be a good time to write a short post for anyone thinking of writing seasonal stories.

A couple of months ago, Simon Whaley interviewed me for an article in the July issue of Writing Magazine. The subject was time sensitivity when writing for magazines - something I know a lot about. Some of you might have read it but, for those who didn't, I thought I'd share my answers to the questions Simon asked me.


How far in advance do you write seasonal stories (Christmas, Easter, Halloween)? How easy or difficult do you find this?

The earlier the better. I write my Christmas stories round about June/July and try to have them submitted before August at the latest. I usually send a few stories – that way any that don’t sell can be resubmitted elsewhere. It’s also worth remembering that if your submission arrives too late, magazines such as The People’s Friend will often hold them over until the following Christmas. On several occasions I have had a Christmas story in the magazine that was written and subbed the previous year but missed the boat.

What steps do you take to get you in the seasonal mood, or to inspire you to make appropriate seasonal references? For example, I've heard some writers playing Christmas music in May as they write their festive prose! do you do anything similar, such as look at photos, or look for seasonal words or phrases to drop into your story?

None at all. Once I start writing, I get so immersed in my stories that even if it is blazing hot sun outside, in my head it is snowing!

How important is the season to stories? Can setting a story in a specific season benefit or harm it?

The thing to take into account when writing a story around a particular seasonal celebration, such as Christmas or Valentine’s Day, is that the magazines will be receiving hundreds of stories on the same subject. These stories will only be published in one or maybe two issues around that time and that reduces the number of stories that will be accepted. General seasonal ones (winter or summer) are better as you have a window of several months but non-seasonal stories will fit in anywhere and at any time and you won’t be directly competing with other writers (including the magazines’ regulars).

When do you submit seasonal stories? Does this vary between markets? And if a seasonal story is rejected (heaven forbid!) do you hold on to it to submit nearer the time to another market, or do you rewrite it completely in a different season?

I try to submit seasonal stories at least four months ahead but, having said that, I have sent last minute stories and had them accepted and published very quickly. If a seasonal story is rejected, it is resubmitted elsewhere, or saved for the next year. I have never rewritten a story in a different season but I have changed a valentine story into an anniversary one when I ran out of submission time.

Is there anything else you'd like to say on this subject?

Don’t force a seasonal story. If you don’t feel like writing Christmas stories in summer or holiday romances when it’s snowing, then don’t. Write something general that can be read at any time. Failing that, write your Christmas stories in the winter and hold on to them for a few months before submitting for the following Christmas.


I hope that's been helpful to anyone thinking of writing seasonal stories. Here's wishing you a Merry Christmas!

Sunday, 20 March 2016

Short Stories - What I look for as a competition judge



I am pleased to be in this month's Writers Forum magazine talking to Helen M Walters about what I look for when judging short story competitions.


Over the last couple of years, I have been judge for the Chiltern Writers short story competition and also been adjudicator for the SWWJ John Walter Salver Competition (you can read about my afternoon at the award ceremony here.) 

I shall be judging another short story competition later this year. This time, it is the Rosemary Robb Ghost Story Competition for the Nottingham Writers Club. I'm very excited about this as I have written a few ghost stories myself. In fact, it was a post on this blog, about one I'd just had  published in Take a Break fiction Feast, which prompted their prose secretary, Carol Bevitt, to think of me as their judge.You can read the post on my ghost story here.

The thing about writing competitions is they are pretty subjective - what attracts one judge to an entry might leave another cold. Even so, there are a few simple things that can be done to ensure your entry isn't instantly put on the 'no' pile whoever the judge is e.g. make sure your story is professionally presented and has been checked for spelling and grammar errors and, above all, follow the competition rules to the letter. 

Other than that, you can only write something you love and keep your fingers crossed that the judge will too! 

Now of course if you want to know how I judge, the best thing would be to read the whole interview in the magazine but I thought I'd make a short list, here on my blog, of the things I like and dislike in a short story competition entry.

  • Write a story, not just a scene (however beautiful)
  • Avoid a weak ending
  • Balance narrative and dialogue
  • Make the story fit the theme
  • Whatever question is set up at the beginning of the story, make sure it is answered at the end
  • Make me care about the characters
  • Avoid cliches
  • Avoid too many adjectives/adverbs
  • I don't want to be 'aware' of the writer and their techniques
  • Don't presume that as I write a lot of romance for magazines that this is what I look for (I enjoy a variety of writing)
and finally:
  • Make me feel something (this can be sorrow, happiness, amusement, surprise... anything!) as the ultimate prize will be given to the story that a day (or even a few days) after reading will still be in my head. 

So there you have it - how to get the competitive edge in a nutshell. Just remember, the judge of the writing competition you have entered will have their own set of likes and dislikes.

For anyone thinking of entering competitions, you can do no better than popping over to Patsy Collin's blog, where she regularly posts the latest ones to try... good luck!

Sunday, 14 February 2016

Ghost Stories Don't Need to be Scary


I always used to think that ghost stories should be scary - probably something to do with watching too much Scooby Doo as a child! It was only after I actually sat down to write one, that I realized they don’t have to be spine-chilling. In fact, ghost stories can be romances, family tales, comedy even – not necessarily something dark and gothic.

This week, in Take a Break Fiction Feast, I have a ghost story called ‘Hearts in the Sand’ and I thought I’d use it as an example of how to write a non-scary ghost story.

Feeling lonely after the death of her husband, Kevin, Julie moves to the seaside town where they had been planning to retire. It was a place Kevin had stayed as a child. A place very special to him.

While walking on the beach one day, Julie sees a child drawing hearts in the sand. The little girl, who says her name is Ella, the tries to engage her in conversation but Julie wants to be alone with her sadness. Ella tells Julie she loves the beach and asks her whether she does too. When Julie shakes her head, the little girl draws another heart and says, ‘I’ll teach you how.’

The following day, the child is on the beach again and Julie is irritated when she asks her once more if she loves the beach. Unperturbed by Julie's unfriendliness, Ella shows her a beautiful coral sea fan. The same thing happens on the following days with Ella showing Julie new things from the beach: a sea potato, a tiny velvet crab, an oystercatcher. The little girl continues to ask Julie if she loves the beach but, despite being shown all the wonderful things it has to offer, she can’t see beyond her loneliness.

Over the coming days, Julie notices the girl is looking increasingly pale and out of breath and worries she’s unwell. Ella tells Julie she lives in one of the cottages at the back of the beach. As Julie looks, a woman comes out and she presumes it’s the girl’s grandmother. She says she’ll take Ella back home but when she gets there Ella isn’t behind her.

The woman, Elizabeth, who is also widowed, invites Julie in. She tells Julie she’s seen her around town and had wondered whether she was new to the area. There is a photo on the wall with a little girl in it who Julie recognizes as Ella. She’s sitting on the beach with a boy. When Julie tells Elizabeth she’s met her granddaughter, we find out that the girl in the picture is not her granddaughter at all but Elizabeth’s sister, Ella, who died of leukemia when she was nine. The little boy is Julie’s husband, Kevin, who used to stay in the cottage with his family when it was a guesthouse. They had both loved the beach and Kevin used to show Ella all the beautiful and interesting things he found there.

At the end of the story, we realise Ella was in fact a ghost. Through her, Kevin was able to help his wife fall in love with the place - by showing her the things that were special to him. A well as that, Ella and Kevin had helped Julie find a new friend in Elizabeth.

So you see, it’s not necessary for a ghost story to be scary – this one was in fact a story about love.

Here were some techniques I used to write the story:

An interesting setting
Whether a ghost story is to be scary or not, you need to create atmosphere. I chose a beach (one of my favorite story settings). Whatever setting you use, remember to use all your senses in your descriptions.

Make sure your ghost has a reason or motive for existing
My ghost, Ella, was a vehicle for Julie’s late husband to help her to fall in love with her new home. She was also integral in helping Julie banish her loneliness..

Give the reader clues about the ghost
Obviously, we don’t want to give the game away too soon but we want the reader to look back and say ‘Oh, yes – now I see!’

These clues might be in the ghost’s appearance or maybe in something they say. Here are the clues I left in Hearts in the Sand.


  • It’s a cold day when Julie first meets Ella. She is wearing gloves but the child’s hands are bare and she doesn't seem to feel the cold. Later, Julie comments on the fact that Ella's only wearing a woolen dress and no coat.
  • Julie is surprised that she’s out on the beach alone.
  • Julie wonders why she’s not at school.
  • I mention Ella’s pale hair and the blue veins showing beneath the skin of her wrist.
  • Ella climbs the rocks easily despite mention of her frailty.
  • From the window of her house, Julie thinks she sees Ella on the beach despite the rain.
  • When she gets to Elizabeth’s gate, Ella is no longer there.


There you have it. Ghost stories don’t need to scare. Have you written a ghost story? If so, what techniques did you use?

Monday, 28 September 2015

The Grapes of Love


It might look as though I've been gallivanting again but... oh, okay, I have!

After an exciting week where I celebrated the completion of my first novel (you can read about it here) my seven friends and I went for a long weekend to Bordeaux. Usually we stay in England but this year we fancied some September sunshine... and that was what we got. It was glorious.

We stayed in an Airbnb apartment in the centre of the city with wonderful high ceilings with decorative cornices - but only one loo between the eight of us! Amazingly, we didn't have to resort to a rota ... but it was touch and go.

Bordeaux is a lovely city, especially in the early autumn and I particularly loved the Mirroir d' Eau (Mirror Pool). It's a giant slab of granite, covered with 2cm of water, set in front of the beautiful Place de la Bourse. The way it alternates between a mirror effect which reflects the 18 century facades of the buildings behind and a mist, is magical. No wonder it's the most photographed site in the city.

We also visited the lovely town of St Emilion and did a bit of wine tasting - well you have to don't you! 


It was a coincidence that at the same time I was touring the vineyards, my love story, The Grapes of Love, was in Take a Break Fiction Feast. The setting is a vineyard called Domaine de la Bergerie and the story takes place during during the vindage. I actually sold this story a year ago but missed the boat for last year's October magazine so they held it back a year.

'Below her, the vineyards stretched out as far as the eye could see until they reached the blue ribbon of the river in the distance. The air was filled with the musky scent of the harvest...'

I like to think that it could be describing one of the vineyards we saw.


Last week also saw the penultimate instalment of my People's Friend serial, Life at Babcock House. It's so exciting to see what illustration has been created for it. As it's about a year since I wrote the serial, I've forgotten a lot of it, so I've reading it again - this time with the eyes of a reader.


Now I'm back, I can feel some serious novel editing coming on and (surprise, surprise) I've come home with a short story idea or two.