Today I'd like you to give a warm welcome to my guest, Alison May. She is the author of Choc Lit novel 'Sweet Nothing' and her second novel, 'Midsummer Dreams', is out in June. Alison is not only a rom-com author but a creative writing teacher and I decided she would be the ideal person to put this question to - what makes the perfect rom-com?
Ah the rom-com.
It’s a classic form in movies, books and television but what is it, and what
elements make up a good one? Today I’m going to don my white coat of academic
endeavour, head down to the great laboratory of writerly whatnots and do some
analysis.
The first element
of a good rom-com is, of course, the rom, traditionally short, in this context,
for romance, not roman. Although a roman-com would be awesome. It would
probably involve people called Romanus going around the house.
Anyway, romance,
in my terribly humble opinion, is always born out of the characters doing the
romancing. A hero doesn’t just need to be dishy and available – although both
of those help – he needs to be the right hero for this one specific heroine.
The pair either have to fill a gap in the other’s character or challenge some
flaw in the other. So for a heroine like Cora, in Cora’s Christmas Kiss, who is obsessed with status, and
achievement, her perfect hero could either be someone who helps her gain a
sense of achievement or it could be someone who encourages her to relax and
maybe be a wee bit less goal-oriented from time to time.
Good romance also
needs obstacles. At least it does in MadeUpStoryWorld. In real-life, meeting a
nice guy or girl, asking them out, going out, having a nice time and getting
together is utterly lovely, but, as anyone who’s ever been bored to death
listening to a friend recount the details of their perfect date will know, it’s
also really dull. Again the obstacles in a really good romance should be linked
to the characters. If you have a confident and normally outspoken heroine you
can’t give her an obstacle that could easily be resolved if she just mentioned
it to somebody. Well you can, but you risk your poor reader throwing your book
across the room in disgust. And just imagine that when they throw the book they
strain their shoulder, forcing them to take time off work, and because this key
staff member is off work their company loses out on a big contract, forcing
them to make first your disgruntled reader, and then the entire workforce,
redundant. It could happen. Poorly thought out plot points have consequences,
you know. You have been warned.
Time now for the
second element of the great rom-com formula: the com. Comedy is a tricky beast
– utterly subjective, and liable to become entirely unfunny when subjected to
close inspection. I’m a naturally analytical writer. I tend to break stories
and characters down and think a lot about the building blocks of a novel, but
with comedy that approach fails me. The one and only piece of advice I can
offer is this: if it makes you laugh then the chances are that somewhere out
there will be a reader who feels the same. The second one and only piece of
advice is this: when writing a novel you will have to read your own words lots
of times – certainly three or four, possibly closer to ten or fifteen – by the
end of that process nothing you’ve written will be funny. It will all be stale,
unimaginative and hateful. At that point you just have to remember that it was
funny originally. If it made you laugh when you wrote it, then keep the faith.
The words haven’t changed; you’re just reading them with a worn down, worn out,
unamusable outlook. Writing a novel can do that to you unfortunately.
So there you go.
Here endeth the lesson in the twin disciplines of the rom and the com. Have
good characters who fit together; present them with obstacles that are specific
to them, and remember to keep the faith in the funny stuff.
And now you have no excuse not to sit down and write the perfect rom-com! Thank you for joining us today, Alison and the best of luck with your new novel when it comes out next month.
Alison May was
born and raised in North Yorkshire, but now lives in Worcester with one
husband, no kids and no pets. There were goldfish once. That ended badly.
Alison has
studied History and Creative Writing, and has worked as a waitress, a shop
assistant, a learning adviser, an advice centre manager, and a freelance
trainer, before settling on 'making up stories' as an entirely acceptable
grown-up career plan.
Alison is a
member of the Romantic Novelists' Association, and won the Elizabeth Goudge
Trophy in 2012. She writes contemporary romantic comedies, published by Choc
Lit. Her first full-length novel, Sweet
Nothing, is available as for kindle now and to pre-order in paperback, and
her second, Midsummer Dreams is out
in June. Alison has also written two Christmas
Kiss novellas, both available as ebooks now.
You can find out
more about Alison at www.alison-may.co.uk
or by following her on Twitter @MsAlisonMay
About Sweet Nothing
Would you risk everything for love?
Independent, straight-talking Trix Allen wouldn’t.
She’s been in love once before and ended up with nothing. Now safely single,
Trix is as far away from the saccharine-sweet world of hearts and flowers as
it’s possible to be.
Ben Messina is the man who broke Trix’s heart. Now
he’s successful the only thing rational Ben and free-spirited Trix see
eye-to-eye on is the fact that falling in love isn’t part of the plan. But when
Ben’s brother sets out to win the heart of Trix’s best friend, romance is very
much in the air. Will Trix gamble everything on love and risk ending up with zero
once again?
Sweet Nothing is available for kindle and you can pre-order it in paperback here
Lovely interview! I've only written short story rom-coms although did begin a novel - it was abandoned at roughly 12,000 words! I agree the comedy element is difficult - I may find myself funny, but would anyone else?! (You don't have to answer that)
ReplyDeleteI've never tried writing rom-com myself. Not sure I'd be any good at it even with Alison's good advice!
DeleteI think being funny really is a lot about keeping the faith. There are all sorts of technical stuff you can learn (look out for workshops from my Choc Lit stablemates Jane Lovering & Rhoda Baxter who are excellent on that stuff), but fundamentally you just have to believe that if it makes you laugh somewhere out there, there are readers who'll agree xx
DeleteGreat post, even though (like Wendy) I've never tried writing rom-com and not sure I could!
ReplyDeleteMaybe we should gave a go one day, Rosemary.
DeleteBrilliant post. so true re: comedy. Luckily I'm easily amused and, although it's completely uncool to laugh at your own jokes, I'm with Alison. If it makes me laugh it's in. If it still makes me laugh after three or more reads it's clearly utterly hilarious and I am a towering genius - sadly I don't experience that much. OK, it's never happened if I'm honest. I should probably go on one of those courses.
ReplyDeleteFrom reading your comment and chuckling, I don't think you need any courses, Sarah!
DeleteI love writing romantic comedy, but as you say, while there are certain rules to the rom, the com is very much harder to define! Looking forward to reading Alison's novel :o)
ReplyDeleteNice to see you here again, Karen - I imagine you eventually get a feel for what the readers will find funny.
DeleteExcellent summing up and I loved Cora's Kiss.
ReplyDeleteThanks for popping over, Angela.
DeleteThe perfect formula
ReplyDeleteMost people seem to be in agreement, Kirsty.
DeleteThanks for the vote of confidence, Alison! I agree, if your jokes make you laugh, then someone, somewhere will find them funny too! (Unless you have a really, really odd and disturbing sense of humour...and probably even then).
ReplyDeleteThanks for your comment, Jane.
DeleteOnce again your wit made me smile, Alison. I love this. I think when a character's little mishaps make you laugh, it's because you empathise, because you've been there. Great post, ladies. Thanks for sharing. :) xx
ReplyDeleteSometimes it's the small mishaps that are the funniest - that's something I shall have to remember.
DeleteFab post, Alison. I agree with everyone else, if you can re-read your jokes at a later date and still smile - then hopefully other readers will too - and it's all good :)
ReplyDeleteThanks for popping by, Berni.
DeleteComedy is a tricky beast, Alison. Really enjoyed this post and the tips!
ReplyDelete'Comedy is a tricky beast' - what a great saying. We could put it on a tee-shirt!
DeleteThanks for sharing Wendy and Alison. I love a good rom com, but when done badly, either in film or in literature, I find myself falling out with the characters. The obstacles in the way of them getting together should be believable, as should the characters' responses to them. And as for the comedy, some authors, probably me included, have a tendency to spoon-feed the reader, or to overdo a joke. I for one love subtle humour rather than overplayed jokes.
ReplyDeleteSix Months to Get a Life is next on my very long reading list, Ben. Sorry it's taken me so long to get around to it!
DeleteThat last one was me but I only just remembered how to show it!
ReplyDeleteGreat response to a great question - thanks for sharing! :-)
ReplyDeleteThanks, Clare.
DeleteThanks, Alison and Wendy. I'm in the middle of a rom, and it's got com by accident, so going over and over and over it again. I'll know the words backwards by the time it's finished if ever it is:)) Helpful post.
ReplyDeleteI'm intrigued by your having the 'con' appear by accident, Susan!
DeleteBrilliant advice and the 'Poorly thought out plot points have consequences' bit really made me laugh.
ReplyDeleteIt did me as well, Patsy.
DeleteWhat an interesting post - thank you Alison for great advice done with great humour. When I was at work we had training courses given by someone who was a natural comedian. And I learnt far more from him! I love writing humour but you can't force it can you? If it comes naturally out of the writing then hopefully I'm not just sitting there giggling to myself and somebody, somewhere will find it funny too! xx
ReplyDeleteI know what you mean when you say some people are naturally funny. If you have to force the humour it just won't work.
DeleteA great post with plenty of advice. Thank you both!
ReplyDeleteThanks, Jan.
Delete