Help for New Writers

Wouldn't it be great if all you had to do was sit down and write your short stories? I have realised that, for most of us, to write for a particular market there is more to it than this - you have to learn the ropes.

This post is to help other new writers who are considering trying to break into the Women's Magazine market by hopefully answering some of the questions that I felt I needed to ask before I could start.



Linda's great book of ideas

Over the last few months, since writing more seriously, I have been very lucky to have been in contact with Linda Lewis akacatherinehoward.blogspot.co.uk. Linda has written hundreds of short stories for Women's Magazines and as such, has been the perfect person to answer my, possibly very naive, questions. Linda also writes a very interesting column in Writer's Forum magazine called Short Story Success, which has a wealth of information for new writers for this market. Some of my questions and answers were included in a recent issue.
 
Thank you, Linda for your patience over the last few months and your useful advice.
 

 

These are Linda's answers to 

The Questions All New Writers Should Ask

 

Question:  How many stories should I send at one time?

 

Answer:    A maximum of two

 

 

Question:  I have had a letter back with a comment rather than the standard rejection letter - is this a good sign?

 

Answer:    Any comments received from an editor is a sign of encouragement. They're swamped with stories and if they take the time to comment on yours it means you're 'almost there'.

 

 

Question:   I have 12 stories 'out there' is this enough?

 

Answer:     12 stories are commendable - but the trick is to have even more.

 

 

Question:  Do magazines let you know by post or email if they want to buy your story?

 

Answer:    The People's Friend lets you know by post, Fiction Feast and The Weekly News by email and Yours sometimes by phone.

 

Question:  If you have a story accepted, do you mention it in your next covering letter?

 

Answer:    Not unless you want to say that having an acceptance has spurred you on to write more - keep covering letters as short as possible.

 

Question:   Should you round up the word count or give the exact number of words?

 

Answer:     Give as exact a word count as you can. My margin for a 1000 word story would be 960 -1030.

 

Question:   I sent a story 13 weeks ago and haven't heard anything. What is the average timescale for a reply? The guidelines say 10 - 12 weeks - should contact the magazine or leave it a while?

 

Answer:    The long turn around might mean that your story has gone to a second or third reading (for a sale there might 3 readings then the editor will read it). If you haven't heard in 20 weeks, you can write a short letter including the date submitted and the title. Don't worry too much about the old stories - write some more!

 

 When I told Linda about my first sale to Fiction Feast, her response was 'Well done! Now go and write another dozen!'

 

 

The Writer's Treasury of Ideas by Linda Lewis is £12 plus p&p. If you buy direct from her website you will receive a free mini guide to short story competitions.

 





Procrastination

This is why I have not been writing

Today I had planned to make a start on a Valentine story (as I have heard that 6 months in advance is when you should be thinking about sending them in),

Instead I have:

• Booked a holiday to Kalami (Corfu)
• Weeded the garden
• Made flapjacks

Maybe I'll start now...after my cup of tea.

Anyone else have this problem?

Finished

I have just finished the re-write. It is now as soft as snow, cotton wool, a cloud, a pillow, a marshmallow and a baby's bottom.

They just have to want it!

Resubmissions

I am trying to 'soften' a main character for a story for The People's Friend, as a very nice member of their fiction team has said that they will look at it again if I do this. It is very hard! This will be my third resubmission for them (the others I haven't heard back from yet since the required changes).

I think I have become very stubborn about this magazine - I have made it my mission to have a story accepted.

I just need to be gentle, gentle, gentle...

Anyway, back to the drawing board and I'll let you know what happens.

 

 

North and South

I am a country girl at heart. Born and bred in the South, with occasional forays to the beautiful Lake District, I am ashamed to say that I am ignorant of most of out major towns and cities north of London. Do I hear gasps of horror?

I am pleased to announce, though, that I have taken the first steps to remedy this and have now visited the lovely city of... Manchester.

My daughter is moving to the area and we were there for two days while she looked for accommodation for her first job. I wanted to immerse myself in the place that was taking her away from me and needed to know that she would be happy in this new city.

My expectations were based on the BBC drama North and South that we both love to watch.

'Margaret takes instant offence to the town and its people. She becomes terribly lonely and hates the dirt, noise and lack of civilisation.'

Yes, I know that this is the twenty first century and not Victorian, industrial Britain, but I still had visions of mills, chimneys and John Thornton striding out of the factory door.

What I encountered instead was a city of contrasts: China Town, the cosy gay area around Canal Street, small exclusive shopping streets and the vast Arndale Centre, the ulta modern, glass office blocks of Spinningfields and the intricate lacing of iron bridges crisscrossing the canal - all set to the continuous rattle of the delightful trams and within a manageable walking distance of each other

Did I like it: yes.  Will I be happy for my daughter to live here: definitely.

All that was missing was a handsome mill owner!

Little Rituals

How happy I was to read the article 'Little Rituals' in the September issue of Writing Magazine. This article (if you haven't read it) asks writers about those little things they have to do before they can settle down to write - mine is emptying the dishwasher.

Anyway, the reason I was happy was because in this article, the journalist Patricia Carswell says that she has to have certain cups at certain times of the day. Hurrah! A fellow sufferer!

My family despair at my cup OCD - woe betide anyone who gives me coffee in a tea mug or tea in the afternoon in my morning tea mug!

My husband thinks it is unfair as there are no set rules.

"But this is a thick mug - it must be for coffee!" he says. But no. It's not that simple.

"It can't be for coffee because it is too big," I tell him.

"But I thought it was only thin mugs for tea." Do I hear a touch of despair?

"Thin mugs, unless they are short or the big thick yellow one, which is too thick for coffee so has to be for tea."

He has the patience of a saint!

I must say, though, that after being married to me for two years he is doing very well. There is no longer trepidation on his face when he hands me my early morning up of tea and I no longer feel the need to give him the 'Cup Test' each time I empty the dishwasher. If the mug is wrong, a 'How could you do this to me?' look is all that is required.

These are my mugs. It will be quite obvious, I am sure, which one is used at which time (or maybe it is only obvious to me and Patricia!)

Early morning tea cups

Cofee cups (but not last thing at night)

 

General tea cups (but not first thing in the morning)

 

My husband's mug (I couldn't possibly use it!)

 

Creativity and Dreams

Do creative people dream more often or more vividly?

I dream every night - most of these dreams I can remember when I wake up. Most are good dreams but not all. A recurring dream I have, involves being lost in a city with no mobile and no address book. I can't remember the name of the hotel I am staying in and I feel an overwhelming sense of helplessness.

My mother, who is very creative,  has always had a lot of dreams and they are are exciting and often involve travel. My husband, on the other hand, who works in the engineering industry, never dreams at all  (or never remembers them). Is this significant I wonder?