It's that time of year again. You know how it is - you're sitting in the garden with the sun blazing down, trying to shield your computer from the glare. You're sipping a cool drink but, on the screen, the words are all snowflakes, sleigh bells and Christmas presents.
Yes... it's the curse of the seasonal story!
Every year, since starting writing in 2012, I've had Christmas stories published in magazines (my record is three in one issue of Take a Break Fiction Feast) and, last week, I sold my first for 2016 to The People's Friend... yippee!
It made me think it might be a good time to write a short post for anyone thinking of writing seasonal stories.
A couple of months ago, Simon Whaley interviewed me for an article in the July issue of Writing Magazine. The subject was time sensitivity when writing for magazines - something I know a lot about. Some of you might have read it but, for those who didn't, I thought I'd share my answers to the questions Simon asked me.
How far in advance do you
write seasonal stories (Christmas, Easter, Halloween)? How easy or difficult do
you find this?
The earlier the better. I
write my Christmas stories round about June/July and try to have them submitted
before August at the latest. I usually send a few stories – that way any that
don’t sell can be resubmitted elsewhere. It’s also worth remembering that if
your submission arrives too late, magazines such as The People’s Friend will
often hold them over until the following Christmas. On several occasions I have
had a Christmas story in the magazine that was written and subbed the previous
year but missed the boat.
What steps do you take to get you in the seasonal mood, or to inspire you to
make appropriate seasonal references? For example, I've heard some writers
playing Christmas music in May as they write their festive prose! do you do
anything similar, such as look at photos, or look for seasonal words or phrases
to drop into your story?
None at all. Once I start
writing, I get so immersed in my stories that even if it is blazing hot sun
outside, in my head it is snowing!
How important is the season to stories? Can setting a story in a specific
season benefit or harm it?
The thing to take into
account when writing a story around a particular seasonal celebration, such as
Christmas or Valentine’s Day, is that the magazines will be receiving hundreds
of stories on the same subject. These stories will only be published in one or
maybe two issues around that time and that reduces the number of stories that
will be accepted. General seasonal ones (winter or summer) are better as you
have a window of several months but non-seasonal stories will fit in anywhere
and at any time and you won’t be directly competing with other writers
(including the magazines’ regulars).
When do you submit seasonal stories? Does this vary between markets? And if
a seasonal story is rejected (heaven forbid!) do you hold on to it to submit
nearer the time to another market, or do you rewrite it completely in a
different season?
I try to submit seasonal
stories at least four months ahead but, having said that, I have sent last
minute stories and had them accepted and published very quickly. If a seasonal
story is rejected, it is resubmitted elsewhere, or saved for the next year. I
have never rewritten a story in a different season but I have changed a
valentine story into an anniversary one when I ran out of submission time.
Is there anything else you'd like to say on this subject?
Don’t force a seasonal
story. If you don’t feel like writing Christmas stories in summer or holiday
romances when it’s snowing, then don’t. Write something general that can be
read at any time. Failing that, write your Christmas stories in the winter and
hold on to them for a few months before submitting for the following Christmas.
I hope that's been helpful to anyone thinking of writing seasonal stories. Here's wishing you a Merry Christmas!